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Professor Philip Russo, CDT, MA, introduces a single-unit implant case into his advanced crown and bridge classes at NYCCT.
To create characterized, natural-looking dentures, Arian Deutsch, CDT, DTG, Owner, Deutsch Dental Arts in Surprise, AZ, uses a time-efficient technique.
Roland’s DWX-51D five-axis milling machine is an open architecture unit that’s easy to install, set up and use. Brian Brooks, Roland DGA’s Group Product Manager – Specialty Systems, offers these pointers for setting up, calibrating and maintaining th
Arian Deutsch, CDT, DTG, shares his technique for using microwave technology to deliver predictable, consistent results with expedited turnaround times.
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Laboratory Owner Bill Atkission explains how the Bio-copy function of inLab SW 15 copies the patient’s intact natural teeth, the temporary restoration or a diagnostic waxup to create anatomically correct restorations.
Jim Emmons, CDT, FNBC, discusses how his efforts to control the heat zone led to the development of the Wonder Z-Ring and offers advice on managing the firing process.
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Thomas Wade, CDT, explains his alternative next-day technique for converting a conventional denture into a screw-retained immediate-load provisional.
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Using their 40+ years of experience and knowledge of over 200 furnaces, Jed and John Archibald put Ivoclar Vivadent’s new, feature-rich Programat P710 ceramic furnace to the test.
- December 2015
Luke Kahng, CDT, explains his technique for matching a custom shade for a female patient in her mid-30s who needed a new crown for tooth #8 and was specifically concerned with the esthetics and color of her smile.
- November 2015
Michael Suris fabricates a three-unit monolithic zirconium bridge using Sirona’s new inLab SW15 design software and one set of impressions.
Using his Scoop Technique with IPS e.max Press MT from Ivoclar Vivadent, Rafael Santrich, CDT, restores teeth with the natural value, chroma and translucency demanded in the anterior region.
How to Fabricate Anterior Crowns Using KATANA Multi-Layered Zirconia with the Stain and Glaze Technique
Jean Chiha, CDT, shares his step-by-step CAD/CAM process for fabricating four anterior crowns using Noritake KATANA STML (Super Translucent Multi-Layered Zirconia) combined with his own highly successful conventional techniques.
- September 2015
- June 2015
Rafael Choi, CDT, describes his technique for using IPS e.max Press Multi to eliminate the need for layering methods and produce esthetic, lifelike anterior crowns in a predictable and efficient manner.
- May 2015
- March 2015
Although balancing esthetic outcomes and fulfilling the doctor’s desires for the most robust restorations has been a challenge, Chris Roman, CDT, has seamlessly integrated the new IPS e.max Multi from Ivoclar Vivadent into his daily workflow.
- February 2015
With today’s focus on highly cosmetic restorations and appliances, patients want functional, natural-looking removable partial dentures. Proper material selection is a key part of ensuring patient satisfaction.
Rejuvenation dentistry is an approach based on a model of health that considers not only a patient’s teeth but the entire masticatory system, including jaw joints, nerves and head and neck muscles, and maintains that problems occur when these components aren’t working in biological harmony.
- January 2015
Step ToothMaster Bay, CDT, DTG, discusses his technique for restoring the six anterior teeth for a patient who wanted to replace discolored anterior teeth with crowns that matched her natural A1 shade.
By Renato Carretti
A female patient, approximately 65 years old, presented with tooth #10 fractured down to the root; it was extracted and an implant was seated. She had had a gold filling on tooth #9 for nearly 45 years, and couldn’t imagine her appearance without it.
Although the gap following implantation was not provisionally restored, the gingival situation was excellent (see Figure 1). During the intraoral try-in, the crown showed good results in the cervical gingiva as well as good fit and shade match.
Optimizing the Surface
It’s not possible to recreate the surface of a crown to mimic a natural tooth by means of a glaze firing alone. Consequently, the glaze firing was followed by manual polishing with pumice powder and a hand brush, resulting in a matte glaze (see Figure 2). This takes five to 10 minutes but with a little experience, the surface looks considerably more natural than with a glaze firing: the finer the structure of the ceramic—in this case, VM 13—the...
By Renato Carretti
An approximately 50-year old patient presented with a fracture on tooth #9 (see Figure 1). Since the root was also fractured, the tooth was extracted and a clasp-retained provisional restoration was seated (see Figure 2).
The gingival papilla was prepared prior to placing the implant in order to ensure subsequent seamless progress of the case. After placing the implant, sufficient time was left for the gingiva to regenerate, which was in perfect condition after healing (see Figure 3).
The challenging aspect of this case was to match the transparency of tooth #8. During the first firing, the basis for the transparent appearance was created with VM 13 Base Dentine layering, first with a 1:1 mixture and then with a 1:2 mixture of Base Dentine and Neutral NT. To achieve a shade close to that of tooth #8, Interno shades were applied before the second firing, and fixed with intermediate firings.
Next, neutral powder in its pure state was applied, followed...
By Renato Carretti
A patient who was approximately 45 years old presented with a devitalized tooth #10 with dark discolorations (see Figure 1). This was a classic case for a metal-ceramic restoration because the discolored tooth stump would show through an all-ceramic restoration and make the crown look grey.
With this VM 13 crown, the goal was to reproduce numerous small enamel cracks, mamelons and decalcification marks like those of the adjacent tooth #9 (see Figure 2). After the first firing, Interno 1 (white smoke) was inlaid for the small enamel cracks; Interno 2 (sand) was used to emphasize the mamelons. Akzent 17 (Niagara) was applied to emphasize the bluish glaze at the incisal edges; a glaze firing was performed.
A dark shadow below the gingiva was visible in the provisional restoration (see Figure 3) and still remained after seating the crown (see Figure 4). In this particular case, this unavoidable situation was probably due to the dark interior of the crown being reflected in...
- December 2014
A successful model-free process requires a reliable material, a highly skilled technician, excellent software and an outstanding mill. Here’s Bob Williams’ step-by-step technique for a recent case.
- November 2014
Jeff Smith, CDT, offers a step-by-step look at how to fabricate esthetic, monolithic restorations in a single press sequence with subsequent glazing using Ivoclar Vivadent’s new IPS e.max Press Multi.
Here’s a look at how using the split file technique and the digital, model-less workflow available from Core3dcentres—a digital design and manufacturing center with locations in seven countries that serves laboratories and dentists—met the needs of a time-sensitive implant patient.